In which Jaime Rebanal recounts the best films of 2019.
2019: The End of the Decade’s Year in Review
Category: Blog Entries
Ten Reasons Why ‘Parasite’ Deserves to Win Best Picture at the Oscars
In which I argue Parasite deserves to win the Oscar for Best Picture.
Last Minute Criterion Suggestions from Us
There’s only a few days left of the half-off sale from the Criterion Collection. If you’re a newcomer to the home video line, all of those selections can look daunting and you’ll probably stand there for a good while trying to decide what to get. With nearly a thousand titles to choose from, it’s overwhelming. [...]
2018: Another Year of Cinema Come and Gone
In which Jaime Rebanal reminisces over the many cinematic highlights to come by in 2018.
The 91st Academy Awards: Comments and Concerns
One of the most exciting years for cinema, yet a strange year for awards season.
Chuck’s Top Ten Movies of 2018
Folks, you know what this is, you know what it's about. It's late, I'm tired, and I want to enjoy what's left of my time off. Let's rock and roll.
Chuck Winters Presents: The 2018 Maguire Awards
Before we go over my top ten films of the year, let's take a little detour and look at five films that maybe weren't so great, but are worth watching for various reasons.
The 25s: The Top and Bottom Grossers of 2002
2002 was one long year in film. The highs were epic. The lows were epic. It didn't feel at all the same at the end as the beginning. Let's see why. The Bottom 25 Grossers of 2002 #76. K-19: The Widowmaker. This is why I love doing this column. This was a notorious box office [...]
The 25s: The Top and Bottom Grossers of 2003
My senior year of high school and freshman year of college. 2003 is a loaded year for me. Trying to isolate my feelings about the year from the films should be harder. Thankfully there are some great and not so great films to make it easier. The bottom 25 grossers of 2003. #76. Uptown Girls. [...]
The 25s: The top and bottom grossers of 2004
The age of Fahrenheit 9/11. The age of The Passion of The Christ. The age of a lot of filler.
Cinema from the Spectrum 
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