Ari Aster's second feature film may or may not be an ideal date movie.
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‘Midsommar’ Review: Ari Aster Takes the Term “Date Movie” A Whole Other Level
‘Good Boys’ Review: Raunchy Tween Comedy Carries More Than Enough Heart to Be a Good Time
Jacob Tremblay's new foul-mouthed comedy is nowhere near child friendly, but it's a riotous picture of the innocence of that point in one's life.
‘The Farewell’ Review: The Burden of Preserving One’s Happiness at the Expense of that of Another Family Member
Lulu Wang's second feature may be difficult, but every moment still remains so beautiful.
Last Minute Criterion Suggestions from Us
There’s only a few days left of the half-off sale from the Criterion Collection. If you’re a newcomer to the home video line, all of those selections can look daunting and you’ll probably stand there for a good while trying to decide what to get. With nearly a thousand titles to choose from, it’s overwhelming. [...]
‘Triple Frontier’ Review: J. C. Chandor’s Most Expensive Film Bites More than It Can Chew
J. C. Chandor's fourth feature may be a fluke for the director.
‘Candyman’ Review: When Generations of Horrific Prejudice Become Eternalized
Bernard Rose's adaptation of Clive Barker's story is a tragic horror classic.
‘Blue Velvet’ Review: The Hypnotic Aura of David Lynch’s Strange World
David Lynch's surreal neo-noir still remains one of his finest and most hypnotic films.
