Leigh Whannell's new spin on the classic horror tale takes on a very real horror.
‘The Invisible Man’ Review: A Modern Spin on a Classic Horror Story with a Very Real Looming Fear
Jaime’s Film Diary: February 28, 2020
A weekly entry recapping everything that Jaime Rebanal has been watching over the week.
2019: The End of the Decade’s Year in Review
In which Jaime Rebanal recounts the best films of 2019.
Ten Reasons Why ‘Parasite’ Deserves to Win Best Picture at the Oscars
In which I argue Parasite deserves to win the Oscar for Best Picture.
‘1917’ Review: A Faceless, if Harrowing War Experience
Sam Mendes's latest film is determined to make you feel time ticking away, minute by minute.
‘Little Women’ Review: Greta Gerwig’s Adaptation of a Classic Tale Reaffirms Its Impact
Greta Gerwig's second film as a director gives a new life to Louisa May Alcott's classic story.
‘A Face in the Crowd’ Review: Kazan’s Prophetic Satire May Forever Remain Relevant
Elia Kazan's star-making vehicle for Andy Griffith is a terrifyingly prescient tale.
