This latest fantasy adventure from Pixar never quite moved onward.
‘Onward’ Review: Pixar’s Latest Isn’t Exactly a Step Forward
Author: Jaime Rebanal
Jaime is an autistic Mississauga-based student attending Sheridan College. He is also an aspiring filmmaker, with an ever-growing love for cinema all around the globe.
‘Dead Ringers’ Review: A Psychologically Visceral Tale of Symbiotic Horror
David Cronenberg's 1988 masterpiece tells a horrific tale of an unhealthy symbiosis.
Jaime’s Film Diary: March 15, 2020
Jaime Rebanal updates again with another series of diary entries covering the past two weeks of film viewing.
‘The Invisible Man’ Review: A Modern Spin on a Classic Horror Story with a Very Real Looming Fear
Leigh Whannell's new spin on the classic horror tale takes on a very real horror.
Jaime’s Film Diary: February 28, 2020
A weekly entry recapping everything that Jaime Rebanal has been watching over the week.
2019: The End of the Decade’s Year in Review
In which Jaime Rebanal recounts the best films of 2019.
Ten Reasons Why ‘Parasite’ Deserves to Win Best Picture at the Oscars
In which I argue Parasite deserves to win the Oscar for Best Picture.
‘1917’ Review: A Faceless, if Harrowing War Experience
Sam Mendes's latest film is determined to make you feel time ticking away, minute by minute.
‘Little Women’ Review: Greta Gerwig’s Adaptation of a Classic Tale Reaffirms Its Impact
Greta Gerwig's second film as a director gives a new life to Louisa May Alcott's classic story.
‘A Face in the Crowd’ Review: Kazan’s Prophetic Satire May Forever Remain Relevant
Elia Kazan's star-making vehicle for Andy Griffith is a terrifyingly prescient tale.
