‘Spencer’ TIFF Review: The Unseen Tragedy of a Beloved Figure
Pablo Larraín's latest film shows a different sort of tragedy within the royal family.
Last Night in Soho TIFF Review: Edgar Wright’s Beautifully Crafted London Love Letter Bites More Than It Can Chew
Edgar Wright's foray into horror is beautiful, but messy.
‘Promising Young Woman’ Review: A Complicated, if Well-Intentioned Tale of Revenge
Emerald Fennell's debut film is a bold interrogation of rape culture.
‘The Trial of the Chicago 7’ Review: A Revised History Lesson from Aaron Sorkin
The newest film from Aaron Sorkin captures a revolutionary point in American history - but to what extent?
‘Come and See’ Review: Carrying The Burden of Survivor’s Guilt
The final film of Elem Klimov presents the war as if you were running from the apocalypse.
‘Extraction’ Review: A Pretty Setting Does Not Make an Exciting Action Movie
Despite all the inventive set pieces, this new Chris Hemsworth action venture fails to deliver.
‘Da 5 Bloods’ Review: A Potent, if Indulgent Affair from Spike Lee
Spike Lee's latest joint for Netflix hits hard, even amidst its misgivings.
‘The Tale of the Princess Kaguya’ Review: A Beautiful Fairy Tale Far Beyond Simply Modern Reinvention
Isao Takahata's final film is one of the all-time great cinematic swan songs.
‘Princess Mononoke’ Review: Hayao Miyazaki’s Bloodiest is Among His Most Breathtaking and Humanistic
Hayao Miyazaki's grand epic is one among the most beautiful films of the 1990's.
‘Bamboozled’ Review: A Brilliant Satire That Hits You Like a Sledgehammer
Spike Lee's politically incorrect media satire from 2000 only hits with a different resonance today.
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