‘Faces of Death’ Review: Doomscrolling is the Killer
Taking the name of the infamous mondo film is an ingenious slasher built around our desensitization to extreme imagery.
Read more!
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TIFF 2025 — ‘Sentimental Value’ Review: It’s What Art is For
Joachim Trier’s dramedy is built on the desire to forgive through art.
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‘Faces of Death’ Review: Doomscrolling is the Killer
Taking the name of the infamous mondo film is an ingenious slasher built around our desensitization to extreme imagery.
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‘The Super Mario Galaxy Movie’ Review: More References, Less of Everything Else
The plumbers from the iconic video game series graces the big screen again, but without much faith existing on its own terms.
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‘The Drama’ Review: It’s Not That It Happened, It’s That You Know
Kristoffer Borgli shows the fallout from shocking revelations that alter a relationship.
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‘Project Hail Mary’ Review: A Bloated, but Visually Arresting Sci-Fi Spectacle
Phil Lord and Christopher Miller return to the directing chair with a flawed, but astonishing tale about humanity’s future.
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‘In the Blink of an Eye’ Review: Rushing Through Mortality Without Introspection
Andrew Stanton’s second live-action effort tries to grapple with mortality from past to the future, but drops the ball quickly.
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‘Hoppers’ Review: Pixar Embraces the Weird and the Wild
The latest offering from Pixar might signify that they are on the right track, with a few hiccups.
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Cinema from the Spectrum 