‘Watership Down’ Review: A Haunting, Beautiful Tale of Survival Upon Certain Doom
Martin Rosen's feature film debut is a dark, yet optimistic fairy tale.
‘Waves’ TIFF Review: Trey Edward Shults’s Third Film is a Beautifully Chaotic Family Melodrama
Trey Edward Shults returns to familiar territory for his third film in order to create a chaotic vision.
‘The Irishman’ Review: Martin Scorsese Revisits and Reinvents Familiar Themes in Epic Crime Saga to Wondrous Results
Martin Scorsese works with Netflix to release an audacious project unlike anything else he has directed prior.
‘News from Home’ Review: Finding Solace in the Alienation from Your So-Called Home
By combining footage of 1970's New York City with letters from Chantal Akerman's mother, the result is a beautiful portrait of alienation.
‘Honey Boy’ TIFF Review: An Unflinching, Heart-Wrenching Self-Portrait Unlike Any Other
Alma Har'el makes her directorial debut by bringing forth a portrait of Shia LaBeouf's youth unlike any other.
‘Saint Maud’ TIFF Review: A Paranoid, Horrifying Tale of Devotion from a Brilliant New Voice
Morfydd Clark headlines this horrifying tale of the perception of devotion.
‘Children of Men’ Review: Searching for Hope in the Darkest of Times
Alfonso Cuarón's 2006 science fiction epic calls for hope in the future of mankind.
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