TIFF 2026—‘Hope’ Review: Starts Off Strong, Stumbles Towards the Finish Line
Na Hong-jin returns to the director’s chair aiming high, but stumbling his way there.
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TIFF 2025 — ‘Sentimental Value’ Review: It’s What Art is For
Joachim Trier’s dramedy is built on the desire to forgive through art.
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TIFF 2026—‘Hope’ Review: Starts Off Strong, Stumbles Towards the Finish Line
Na Hong-jin returns to the director’s chair aiming high, but stumbling his way there.
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‘The End of Oak Street’ Review: A Solid Dino Throwback
David Robert Mitchell takes audiences back in time with this dinosaur flick.
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Fantasia 2026—’The Samurai and the Prisoner’ Review: What Good is Being Peaceful in a Feudal State?
Kiyoshi Kurosawa makes his first jidaigeki film with a critical approach to Japan’s bloodlust through history.
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‘The Odyssey’ Review: Tell Me of a Complicated Man
Christopher Nolan adapts Homer’s epic poem with elegance, affirming its lasting legacy.
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Fantasia 2026—’Dance Freak’ Review: There’s No Explaining This Movie
An absurd comedy that proves sometimes the best reaction is simply to laugh.
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Hot Docs 2026—’When a Witness Recants’ Review: Thirty Years Stolen by a Lie
An affecting documentary that reminds us why stories of wrongful conviction continue to matter.
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