Fantasia 2026—’The Samurai and the Prisoner’ Review: What Good is Being Peaceful in a Feudal State?
Kiyoshi Kurosawa makes his first jidaigeki film with a critical approach to Japan’s bloodlust through history.
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TIFF 2025 — ‘Sentimental Value’ Review: It’s What Art is For
Joachim Trier’s dramedy is built on the desire to forgive through art.
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Fantasia 2026—’The Samurai and the Prisoner’ Review: What Good is Being Peaceful in a Feudal State?
Kiyoshi Kurosawa makes his first jidaigeki film with a critical approach to Japan’s bloodlust through history.
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‘The Odyssey’ Review: Tell Me of a Complicated Man
Christopher Nolan adapts Homer’s epic poem with elegance, affirming its lasting legacy.
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Fantasia 2026—’Dance Freak’ Review: There’s No Explaining This Movie
An absurd comedy that proves sometimes the best reaction is simply to laugh.
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Hot Docs 2026—’When a Witness Recants’ Review: Thirty Years Stolen by a Lie
An affecting documentary that reminds us why stories of wrongful conviction continue to matter.
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‘Lee Cronin’s The Mummy’ Review: Could Be Attributed to Anyone Else
Lee Cronin’s reimagining of The Mummy plays everything safe.
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‘Outcome’ Review: When The Meta Gets Too Ahead of Itself
Jonah Hill’s portrait of celebrity culture never really digs into the meat of its concept.
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Cinema from the Spectrum 