‘A Face in the Crowd’ Review: Kazan’s Prophetic Satire May Forever Remain Relevant
Elia Kazan's star-making vehicle for Andy Griffith is a terrifyingly prescient tale.
‘Star Wars: The Rise of Skywalker’ Review: A Not-So-Grand Finale For the Skywalker Saga
The Skywalker saga meets its finish, but not with a bang.
‘The Platform’ Review: A Satire Most Likely to Ruin Your Meal
Galder Gaztelu-Urrutia's first film is ready to destroy the strength of your stomachs.
‘Antigone’ Review: Sophie Deraspe Adapts Ancient Greek Tragedy to Timely Effect
This contemporary adaptation of the Greek tragedy allows more than a simple contemporary spin on Sophocles.
‘Wild at Heart’ Review: A Tender, Twisted, Dark Love Story from David Lynch
David Lynch's take on the traditionalized American love story is not short of his usual touch.
‘Raging Bull’ Review: Martin Scorsese at His Most Difficult, Taxing, and Personal
Martin Scorsese's portrait of the violent-tempered boxer is the director's most difficult film, but also one of his best.
‘After Hours’ Review: A Hitchcockian Comedy from Martin Scorsese
Martin Scorsese's 1985 black comedy remains the director's most bizarre work to date.
