‘Come and See’ Review: Carrying The Burden of Survivor’s Guilt
The final film of Elem Klimov presents the war as if you were running from the apocalypse.
‘Extraction’ Review: A Pretty Setting Does Not Make an Exciting Action Movie
Despite all the inventive set pieces, this new Chris Hemsworth action venture fails to deliver.
‘Da 5 Bloods’ Review: A Potent, if Indulgent Affair from Spike Lee
Spike Lee's latest joint for Netflix hits hard, even amidst its misgivings.
‘The Tale of the Princess Kaguya’ Review: A Beautiful Fairy Tale Far Beyond Simply Modern Reinvention
Isao Takahata's final film is one of the all-time great cinematic swan songs.
‘Princess Mononoke’ Review: Hayao Miyazaki’s Bloodiest is Among His Most Breathtaking and Humanistic
Hayao Miyazaki's grand epic is one among the most beautiful films of the 1990's.
‘Bamboozled’ Review: A Brilliant Satire That Hits You Like a Sledgehammer
Spike Lee's politically incorrect media satire from 2000 only hits with a different resonance today.
‘Castle in the Sky’ Review: The Adventurous Spirits in Miyazaki’s Vision
Hayao Miyazaki's third feature is more than a delight for any thrill seeker.
‘Kiki’s Delivery Service’ Review: How Miyazaki Finds Magic in What We Love
Hayao Miyazaki at his most simple could only be every bit as lovely as one can expect from the master.
‘Nausicaä of the Valley of the Wind’ Review: Miyazaki’s Search for Hope Under Bleak and Tragic Circumstances
Miyazaki's second feature is also one of his most compassionate efforts to date.
‘Perfect Blue’ Review: Confronting False Idols in Satoshi Kon’s Debut Feature
Satoshi Kon's first feature is an unforgettable, and wholly upsetting ride from beginning to end.
