Jim Jarmusch's zombie comedy doesn't quite do for zombies what Only Lovers Left Alive did for vampires.
In which Jaime Rebanal reminisces over the many cinematic highlights to come by in 2018.
One of the most exciting years for cinema, yet a strange year for awards season.
Spike Lee's latest may not be his angriest, but it's what our world needs today.
Like a reflection of youth, as told by those who want to keep in touch with the best of themselves. (✯✯✯✯✯)
Works as a rebuttal to fan service, living on its own with no fault. (✯✯✯✯)
Entertaining all throughout, drawing on familiar roots. (✯✯✯✯)