Alex Ross Perry's portrait of a punk rocker's fall from grace hits hard in its beauty.
John Cameron Mitchell brings a punk rock musical he and Stephen Trask co-created to the screen without losing any of the glamour.
This new adaptation of Stephen King's novel seems disinterested in its own source material.
DC brings an old character to the screen in what may be the best film that their own cinematic universe has seen thus far.
The aquatic superhero doesn't quite strike gold, but it still embraces its own ridiculousness.
David Cronenberg taps into a darker side of human desires in his adaptation of J. G. Ballard's novel.
✯✯✯✯½ In getting a perfect grasp at what it feels like to live within the lifestyle of Juliette Binoche’s Isabelle in Let the Sunshine In, Claire Denis keeps the camera lingering at long gaps between conversations. In talking about what these moments evoke thematically, what you also are experiencing is something so clearly fragmented by [...]