I’m still not sure how exactly did something like Atomic Blonde, carrying so much unexpected promise from the idea of one of the original directors of John Wick going solo to helm this, with Charlize Theron leading the way, with a soundtrack that goes from The Clash, New Order, Depeche Mode, and David Bowie – would end up becoming as disappointing as this. After Chad Stahelski has found himself achieving success from directing John Wick: Chapter 2 solo, I’m not sure what is left of David Leitch’s future after this, because the lack of Stahelski by his side shows that there’s still something missing in what could have made itself a female equivalent to John Wick. And given as it was exactly what I was hoping for, I was disappointed that it wasn’t a female equivalent in such a sense, more just a hollow imitator.
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It already seems as if we’re getting cinematic universes after another at this rate that stretch outside the likes of Marvel and DC, for now we also have Legendary’s MonsterVerse and now Universal is chiming in by reviving classic horror movie icons for the Dark Universe. To say they’ve started things off interestingly is one thing, because I’m still struggling with trying to deconstruct what it is that I’m really feeling about The Mummy right after having seen it because it only seems like this new cinematic universe will probably not go the way it was planned to be; and yet somehow that’s a part of why The Mummy only resulted in such a baffling experience. I was far too busy laughing at the stupidity of where it was going to the point I couldn’t say I was ever finding myself getting bored, yet at the same time that’s a part of why it’s difficult enough for me to even say it allows the Dark Universe to show promise.
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I’m not a huge Star Trek fan personally. I was always rather indifferent to the series (even though I admittedly quite love The Wrath of Khan) but when the series hits its highest points, it’s usually rather interesting what pops out. With Star Trek Beyond I was admittedly rather skeptical because I was not particularly fond of J. J. Abrams’s takes on the series and now with Justin Lin behind the camera, there were only two things that I could expect knowing that a radically different approach were going to be made with the series. Either it could go down the path to which Lin chose to suit the Fast and the Furious films (which I’ve never been to fond of) and in turn head down a much worse route or bring a kick of energy to the franchise that could grab my interest. Thankfully, Star Trek Beyond leaned toward the latter, even if it suffers what the previous reboots suffered through at the same time. Continue reading →