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Cinema from the Spectrum

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Jaime Rebanal

  • 2018: Another Year of Cinema Come and Gone
    February 4, 2019

    2018: Another Year of Cinema Come and Gone

    Jaime Rebanal
  • Mary Poppins Returns but Brought Nothing New: A Review
    January 31, 2019

    Mary Poppins Returns but Brought Nothing New: A Review

    Jaime Rebanal
  • The Joys of Spider-Man’s Long Lasting Legacy with Spider-Man: Into the Spider-Verse: A Review
    January 30, 2019

    The Joys of Spider-Man’s Long Lasting Legacy with Spider-Man: Into the Spider-Verse: A Review

    Jaime Rebanal
  • David Fincher’s Gone Girl, and Gillian Flynn’s Understanding of Female Psychopathy: A Review
    January 29, 2019

    David Fincher’s Gone Girl, and Gillian Flynn’s Understanding of Female Psychopathy: A Review

    Jaime Rebanal
  • Cold War Review: A Broken Romance Whose Happiness Evokes Sadness
    January 26, 2019

    Cold War Review: A Broken Romance Whose Happiness Evokes Sadness

    Jaime Rebanal
  • The 91st Academy Awards: Comments and Concerns
    January 22, 2019

    The 91st Academy Awards: Comments and Concerns

    Jaime Rebanal
  • Luca Guadagnino’s Suspiria is a Beautifully Indulgent Nightmare: Review
    January 21, 2019

    Luca Guadagnino’s Suspiria is a Beautifully Indulgent Nightmare: Review

    Jaime Rebanal
  • Colette Review: A Biopic About Sexual Freedom With One of Keira Knightley’s Best Performances
    January 16, 2019

    Colette Review: A Biopic About Sexual Freedom With One of Keira Knightley’s Best Performances

    Jaime Rebanal
  • The Ballad of Buster Scruggs, the Coen Brothers’ Western Anthology Hits and Misses, but Mostly Hits: Review
    January 15, 2019

    The Ballad of Buster Scruggs, the Coen Brothers’ Western Anthology Hits and Misses, but Mostly Hits: Review

    Jaime Rebanal
  • Magnolia, a San Fernando Epic About The Search for Redemption Through Mere Coincidences: A Review
    January 14, 2019

    Magnolia, a San Fernando Epic About The Search for Redemption Through Mere Coincidences: A Review

    Jaime Rebanal
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