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  July 8, 2025

  ‘M3GAN 2.0’ Review: This Genre Shift Doesn’t Really Work

  Nathan Sherwood

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  April 4, 2025

  ‘Love Hurts’ Review: This Movie Doesn’t Deserve Ke Huy Quan

  Jaime Rebanal

• 

  April 3, 2025

  ‘The Electric State’ Review: Over $300 Million Was Wasted on This Garbage

  Jaime Rebanal

• 

  October 10, 2024

  ‘Emilia Pérez’ TIFF Review: Exploitative Trash in Operatic Form

  Jaime Rebanal

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  September 12, 2024

  ‘The End’ TIFF Review: You’ll Want It to End Before It Ends

  Jaime Rebanal

• 

  March 21, 2022

  ‘CODA’ Review: A Conceited Crowdpleaser Suppressing Its Deaf Voices

  Jaime Rebanal

• 

  January 13, 2019

  Bohemian Rhapsody is Insultingly Formulaic and a Vaguely Homophobic Portrait of a Queer Icon: A Review

  Jaime Rebanal

• 

  June 25, 2018

  Jurassic World: Fallen Kingdom’s Subtitle Best Sums up the State of the Franchise

  Jaime Rebanal

• 

  June 24, 2018

  Jurassic World Review: An Exercise in Cynically Racking up Nostalgia by Undermining Its Roots

  Jaime Rebanal

• 

  March 18, 2018

  Mercury Rising – Review

  Jaime Rebanal