• 

  November 21, 2024

  ‘Juror #2’ Review: Does Proper Justice Exist For Those Who Can Change?

  Jaime Rebanal

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  October 14, 2024

  ‘Oh, Canada’ TIFF Review: Fragmented Memories of a Supposed Revolutionary

  Jaime Rebanal

• 

  October 6, 2024

  ‘Heretic’ TIFF Review: Faith is One Big Mind Game

  Jaime Rebanal

• 

  September 30, 2024

  ‘Queer’ TIFF Review: Love is the Most Addictive Drug

  Jaime Rebanal

• 

  June 26, 2024

  ‘Inside Out 2’ Review: Riley Has Grown Up, but the Formula Hasn’t Yet

  Jaime Rebanal

• 

  November 16, 2023

  ‘Bottoms’ Review: It’s Camp, as They Say

  Jaime Rebanal

• 

  November 5, 2023

  ‘Quiz Lady’ TIFF Review: Thirty Seconds and Good Luck, With Asian-American Women

  Jaime Rebanal

• 

  September 22, 2023

  ‘American Fiction’ TIFF Review: Interrogative Satire on Diversity Standards Takes Audiences to Task

  Jaime Rebanal

• 

  September 21, 2023

  ‘Concrete Utopia’ TIFF Review: Holds More Substance (But Not Nuance) Than Most American Disaster Flicks

  Jaime Rebanal
• April 28, 2022

  Review: No Exit is the Kind of Sleeper We Need

  austinshinn