• 

  September 18, 2025

  TIFF 2025 — ‘Wake Up Dead Man: A Knives Out Mystery’ Review: Benoit Blanc Returns with the Same Tricks

  Nathan Sherwood

• 

  September 4, 2025

  TIFF 2025 — ‘Exit 8’ Review: Horror in Repetition

  Jack Cox

• 

  August 18, 2025

  ‘Weapons’ Review: Grief Distorts Our Realities in Many More Ways Than One

  Connor Walsh

• 

  July 17, 2025

  ‘Superman’ Review: The Man of Steel Continues Flying

  austinshinn

• 

  June 16, 2025

  ‘Thunderbolts*’ Review: The New Avengers Might Be in Good Shape

  austinshinn

• 

  June 14, 2025

  ‘Predator: Killer of Killers’ Review: The Predator Takes on the World of Animation

  Nathan Sherwood

• 

  March 27, 2025

  ‘Conclave’ Review: The Vatican Isn’t Above the Endless Gossip

  Jaime Rebanal

• 

  March 15, 2025

  ‘Mickey 17’ Review: Dying Ain’t Much of a Living

  Jaime Rebanal

• 

  December 24, 2024

  ‘A Real Pain’ Review: Grieving Can Be Annoying, But It’s What Makes Us Human

  Jaime Rebanal

• 

  November 24, 2024

  ‘The Room Next Door’ TIFF Review: Almodóvar’s English Language Debut Is a Solid Melodrama About Mortality

  Jaime Rebanal