The new manga adaptation from director Robert Rodriguez and producer James Cameron already shows promise for something greater in due time.
The Growing Potential within ‘Alita: Battle Angel’: A Review
Category: 4 Stars
Capernaum Review: An Imperfect, if Unflinching Look at a World of Chaos
Nadine Labaki's third feature film never holds back.
The Fragmented Beauty of At Eternity’s Gate: A Review
Julian Schnabel's take on the tormented artist finds beauty in a lack of flow.
Colette Review: A Biopic About Sexual Freedom With One of Keira Knightley’s Best Performances
Keira Knightley's portrayal of the renowned French writer is a stunner.
The Ballad of Buster Scruggs, the Coen Brothers’ Western Anthology Hits and Misses, but Mostly Hits: Review
The Coen brothers' western anthology sums up the nature of the Americana lifestyle.
Mia Hansen-Løve’s ‘Maya’ Wanders, but Remains Beautiful: TIFF Review
Mia Hansen-Løve's latest film may be small, but feels lovely.
Adam McKay’s Vice, or How My Hatred For Dick Cheney Only Grows Stronger: A Review
McKay's portrait of the infamous American Vice President is not one that goes without a seething hatred for what's come forward.
Good Times are to be Had with Bad Times at the El Royale: Review
Drew Goddard's second film is a blast. Then it isn't. But it mostly is.
Jean-Luc Godard’s The Image Book or How I’ve Come To Realize the Limits of Cinema as a Medium: TIFF Review
Jean-Luc Godard's latest film is probably best described by its own title.
David Gordon Green’s Halloween Sequel is the Push the Franchise Needs Now: Review
David Gordon Green's new Halloween sequel revitalizes the franchise for a modern audience.
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