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Cinema from the Spectrum

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Film Reviews

  • ‘Rebel Moon – Part One: A Child of Fire’ Review: A Truncated Space Epic
    December 27, 2023

    ‘Rebel Moon – Part One: A Child of Fire’ Review: A Truncated Space Epic

    Jaime Rebanal
  • ‘About Dry Grasses’ TIFF Review: A Meditative Breakdown of Selfishness
    December 11, 2023

    ‘About Dry Grasses’ TIFF Review: A Meditative Breakdown of Selfishness

    Jaime Rebanal
  • ‘Godzilla Minus One’ Review: A Thundering Lizard
    December 9, 2023

    ‘Godzilla Minus One’ Review: A Thundering Lizard

    austinshinn
  • ‘Poor Things’ Review: Perverted, Outrageous, Romantic, Exquisite
    December 5, 2023

    ‘Poor Things’ Review: Perverted, Outrageous, Romantic, Exquisite

    Jaime Rebanal
  • ‘May December’ Review: An Unflinching Look at the Aftereffects of Grooming
    December 2, 2023

    ‘May December’ Review: An Unflinching Look at the Aftereffects of Grooming

    Jaime Rebanal
  • ‘Bottoms’ Review: It’s Camp, as They Say
    November 16, 2023

    ‘Bottoms’ Review: It’s Camp, as They Say

    Jaime Rebanal
  • ‘Evil Does Not Exist’ TIFF Review: A Peaceful, Smaller Fare for Hamaguchi
    November 15, 2023

    ‘Evil Does Not Exist’ TIFF Review: A Peaceful, Smaller Fare for Hamaguchi

    Jaime Rebanal
  • ‘The Boy and the Heron’ TIFF Review: Late-Period Miyazaki Reminiscing About His Youth
    November 14, 2023

    ‘The Boy and the Heron’ TIFF Review: Late-Period Miyazaki Reminiscing About His Youth

    Jaime Rebanal
  • ‘Quiz Lady’ TIFF Review: Thirty Seconds and Good Luck, With Asian-American Women
    November 5, 2023

    ‘Quiz Lady’ TIFF Review: Thirty Seconds and Good Luck, With Asian-American Women

    Jaime Rebanal
  • ‘The Killer’ Review: As Cold as a Smiths Song
    November 2, 2023

    ‘The Killer’ Review: As Cold as a Smiths Song

    Jaime Rebanal
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