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  January 21, 2019

  Luca Guadagnino’s Suspiria is a Beautifully Indulgent Nightmare: Review

  Jaime Rebanal

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  January 16, 2019

  Colette Review: A Biopic About Sexual Freedom With One of Keira Knightley’s Best Performances

  Jaime Rebanal

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  January 15, 2019

  The Ballad of Buster Scruggs, the Coen Brothers’ Western Anthology Hits and Misses, but Mostly Hits: Review

  Jaime Rebanal

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  January 14, 2019

  Magnolia, a San Fernando Epic About The Search for Redemption Through Mere Coincidences: A Review

  Jaime Rebanal

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  January 13, 2019

  Bohemian Rhapsody is Insultingly Formulaic and a Vaguely Homophobic Portrait of a Queer Icon: A Review

  Jaime Rebanal

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  January 10, 2019

  Zhang Yimou’s Shadow Takes Too Long Before Getting Exciting: TIFF Review

  Jaime Rebanal

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  January 9, 2019

  Mia Hansen-Løve’s ‘Maya’ Wanders, but Remains Beautiful: TIFF Review

  Jaime Rebanal

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  January 5, 2019

  High Life, a Contemplative, Tragic Tale Made Haunting by Director Claire Denis’s Thoughtfulness: TIFF Review

  Jaime Rebanal

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  January 3, 2019

  Olivier Assayas’s Non-Fiction is a Funny but Empty Comedy: TIFF Review

  Jaime Rebanal

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  January 1, 2019

  The Conformist Review: An Ever-So Damning Portrait of a Descent from Humanity

  Jaime Rebanal