• 

  December 9, 2023

  ‘Godzilla Minus One’ Review: A Thundering Lizard

  austinshinn

• 

  December 5, 2023

  ‘Poor Things’ Review: Perverted, Outrageous, Romantic, Exquisite

  Jaime Rebanal

• 

  December 2, 2023

  ‘May December’ Review: An Unflinching Look at the Aftereffects of Grooming

  Jaime Rebanal

• 

  November 16, 2023

  ‘Bottoms’ Review: It’s Camp, as They Say

  Jaime Rebanal

• 

  November 15, 2023

  ‘Evil Does Not Exist’ TIFF Review: A Peaceful, Smaller Fare for Hamaguchi

  Jaime Rebanal

• 

  November 14, 2023

  ‘The Boy and the Heron’ TIFF Review: Late-Period Miyazaki Reminiscing About His Youth

  Jaime Rebanal

• 

  November 6, 2023

  ‘Dream Scenario’ TIFF Review: Nicolas Cage is the Man of Everyone’s Dreams

  Jaime Rebanal

• 

  November 5, 2023

  ‘Quiz Lady’ TIFF Review: Thirty Seconds and Good Luck, With Asian-American Women

  Jaime Rebanal

• 

  November 2, 2023

  ‘The Killer’ Review: As Cold as a Smiths Song

  Jaime Rebanal

• 

  October 29, 2023

  ‘Killers of the Flower Moon’ Review: A Tragic Reckoning with America’s Foundations

  Jaime Rebanal