The Dark Tower – Review

Adapting Stephen King to film is a complicated case, knowing that Stanley Kubrick’s The Shining had taken liberties with its source material to the scorn of King himself. With that having been said, it still remains the best of the many adaptations that King’s work has spawned, but perhaps the case with “Stephen King done right” as proven by the Shining miniseries would only have proven itself disastrous, so fan reactions to The Dark Tower could set expectations in place for they didn’t get what they would have wanted as a means of introducing a story they love to newcomers. Coming in with a newcomer’s perspective for I’ve only read the first book in the series and wasn’t a fan, I already feel the anger that such an audience would have felt to see something they loved bastardized the way Nikolaj Arcel did so here.

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The Neon Demon – Review


Forethought has never been a good friend to some of my opinions on certain movies after a first impression and when I wish to talk about my thoughts on The Neon Demon, it probably is only fitting I admit that I have a particularly conflicted relationship with the films of Nicolas Winding Refn. I’ve fallen head over heels for Drive with the fact it turns its own visual style into a new form of storytelling and while I’ve liked many of his other works, something about his work felt missing and it was evident from a path he took starting with Only God Forgives and now The Neon Demon. Both films have understandably polarized audiences, but Refn purists got what they wanted and then some. For every intriguing moment that The Neon Demon presents also comes a fairly self-indulgent one that drives upon his own influences – among many of his tendencies that always struck me.

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