Avengers: Infinity War – Review

✯✯✯

There are many stories being told within Avengers: Infinity War and I think that happens to be the best way for something of this sort to be shown to the screens because it gives every character what’s needed in order to create an emotional resonance with its viewers. In the past ten years, the Marvel Cinematic Universe has been telling individual story after another but have always been dependent on one another in order to form something of a larger scope and as all stories come together to form one singular Avengers story. The ambition is clear enough from how all of these characters established by their own entries are coming together once and for all, so the question to be asked is how does the film live up to the scope it promises? It’s a step up from both the last Avengers film and the Russo brothers’ last Marvel film, but I feel hesitant to go beyond saying it pays off completely after the Marvel Cinematic Universe has only recently released their two most interesting films since the first Guardians of the Galaxy.

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Captain America: Civil War – Review

✯✯

For the record, I don’t dislike superhero movies in general, but I’m not a particularly big fan of the Marvel Cinematic Universe (so far, the only ones that really stood out to me that I really liked are Guardians of the Galaxy and Captain America: The Winter Soldier) and rarely would I call any of their offerings “bad” by any means. However, most of the time I find myself within a nonplussed state. As for more recent note, Captain America: Civil War leaves me with the same reaction which I carry towards the regular offering of the Marvel Cinematic Universe, with that said, it’s a film recognizing its target audience and for those who like these films, I can’t fault one, but I really wish I could feel the love that I know many are picking out from these films because I feel like I’m being left out. Continue reading →

Triple 9 – Review

✯½

There’s a joy to watching heist films that felt so stunningly absent while Triple 9 was going on. Remember how expertly crafted the tension can be at least when done so perfectly under the hands of Michael Mann, Jean-Pierre Melville, or Jules Dassin when they were directing Heat, Le Cercle Rouge, or Rififi? Try to imagine any of those three films which I’ve mentioned without the suspense that kept everyone at the edge of their seat, and within no time, you’ll have whatever it was that Triple 9 was offering. Admittedly, you have two fantastic heist sequences setting the bar for the film, but my only wish was that John Hillcoat, whose own body of work I haven’t particularly been the most fond of, had chosen to handle them in a manner it would really stick within my head. Continue reading →