Mary Poppins Returns but Brought Nothing New: A Review

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The original Mary Poppins is often recognized as the crowning live-action achievement of Walt Disney’s career, and is also most notable for being the only Disney production to earn a Best Picture nomination during his lifetime. But so fervent was author P. L. Travers’s dislike of the changes that Disney made to a story that she once created, we wouldn’t end up seeing another Mary Poppins film until much later. So it only leaves me wondering what can be pulled off with a belated sequel, 54 years later. But how exactly would such a long wait between the two films provide, especially when trying to reach out for a newer audience with Mary Poppins Returns? Trying to recapture the charm that Julie Andrews and Dick Van Dyke have only ever made so distinctive would be one challenge, especially with trying to reach another audience, and Emily Blunt and Lin-Manuel Miranda make the very best of it here. That alone could provide a lot for some viewers but I was only ever left wondering what else would be coming by in order to allow this story to feel so distinctive from its predecessor after so long.

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Paddington 2 – Review

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The first Paddington film took myself by a rather nice surprise, given as I’ve had no connection with the titular character and walking out, I saw a sort of charm that loads of modern family films have lacked. It wasn’t merely a family film that kept itself limited to children but created an entire world in itself where everyone felt welcome – bringing out the sense of warmth and fuzziness that one could only imagine an actual teddy bear can bring. Coming into Paddington 2, I expected more or less the same and Paul King certainly didn’t disappoint. It felt nice watching this to let go of my usual cynical self all in the favour of a cute little bear who wants to find only the good in everyone that he meets.

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Paddington – Review

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I’m not really sure what I was expecting from Paddington as I first watched it, but it reminded me of something that I wished more family films had carried in this day and age. It carries all the best aspects of any family movie so that kids can enjoy it, but even adults would be left in awe as they watch together with their own children. It’s a film that knows how to invite a new audience to come along the ride, because it’s hard not to be won over by the sweetness of the presence of Paddington Bear himself. Those of you who would come into Paddington only expecting as much as a cute film about a bear coming into England will end up finding something more special, because what that sets oneself up for is a live action/CGI hybrid for the family done right.

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The Lobster – Review

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I think I find myself enjoying Yorgos Lanthimos more in theory rather than in storytelling. The first time I saw Dogtooth I remember having been so shaken by its satire to the point that I ended up feeling guilty about myself for having found it so darkly funny and I found Alps to be one that echoes that same sort of dryness although not with the same impact. Something about The Lobster just hits me in that manner but I can’t put my finger on it, because I just find myself at odds with how I end up feeling about the final effect it leaves behind. At times brilliant and other times maybe a tad too weird for its own sake, it’s easy to see why one would be put off. On first watch I remember having found myself extremely impressed but on a second watch, said effect seems to have faded.

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