Blade Runner – Review


It still amazes me that after thirty years of being butchered from studio interference and having been ignored during its original theatrical run, Ridley Scott’s Blade Runner still feels refreshing as if it were something that had only recently came out. Like the best science fiction films it isn’t one whose wonder lies within the excitement created by its distinctive visual style but how it presents itself – not as a showcase for hypnotic set pieces but as a meditation on life, pushing towards what we are afraid to ask. Even today the genre subversions still feel present and on rewatches I only find myself appreciating it all the more, after having already been left fascinated with a first watch. But it wasn’t until more revisits mere fascination grew into adoration, and soon the resonant effect of Blade Runner only made itself clear.

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The Player – Review


It’s nice to see a film that plays with the usual Hollywood tropes yet at the same time expose something rather truthful about the way the system works, and suddenly the in-joke being presented hits you. Robert Altman, a director who always was searching for a manner to go against the norms amidst the studio influence gives a clear picture of what harm it does to the most valuable thing behind what forms what we come to view; the visions. Amazingly, The Player chooses never to head into the territory where it would highly offend anyone working within the business, but there’s a uniqueness to the satire we’re finding here that just allows it to stand out from other films that poke fun at the system, especially with what it hides under. Continue reading →