Jaime’s Film Diary: March 15, 2020

As expected, I’ve been keeping my Letterboxd up to date – so here’s yet another update for here in regards to what I have been watching as of late.

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The Post – Review

✯✯✯½

Steven Spielberg’s movies are either a fun time or a boring lecture. Those who have stuck around with his work for so long would already be able to recognize his trademarks regardless of the sort of films he makes whether it be his usual sentimentality or father-child issues – because they’ve pervaded the many sorts of films he makes whether they be fun for the masses or a historical drama. Quite frankly, I’ve never exactly been the hugest fan of many of Spielberg’s historical dramas (although Schindler’s List may be an exception I still have my own reservations about its handling of the subject matter) so The Post was not going to be a high priority for me. But after having been pleasantly surprised with Bridge of Spies, I figured it was worth giving a chance – and I’m glad I gave one to The Post.

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Truth – Review

✯✯½

Despite the underlying importance of its subject matter, Truth is nothing more than a slog to sit through from start to finish. Screenwriter James Vanderbilt of Zodiac fame seems to have headed down somewhere else afterward and now with him going behind the camera, what could only have come up was something that’d go either way on the map. In the case of Truth, something frustrating comes along and in turn dampens the impact of what was said to come afterward. There’s a fascinating story going behind it, and quite frankly it’s the underplaying of the subject matter that keeps it from being much more as a whole.

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Exotica – Review

✯✯✯✯✯

Atom Egoyan’s wonderful Exotica is a wondrous picture of tragedy and its effect upon the human soul, a particular area of emotion that Egoyan has managed to best capture on the screen as proven in The Sweet Hereafter. While it’s unfortunate to see that considering how great his films have been in his early days he has taken quite a nosedive in quality ever since the 2000’s, a film that is sure to define him at his most accomplished is none other than Exotica. Egoyan, being one of the most fascinating figures in Canadian filmmaking alongside David Cronenberg, has made what arguably could be the greatest film to come out of Canada.

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