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comedy
April 13, 2019
‘Hedwig and the Angry Inch’ Review: The Glamour of Embracing True Self in a Wicked Little Town
Jaime Rebanal
April 7, 2019
Shazam! Review: Funny and Innocent on the Outside, Dark but Sweet on the Inside
Jaime Rebanal
April 2, 2019
Juliette Binoche and the Search for a Sense of Connection in Claire Denis’s Let the Sunshine In
Jaime Rebanal
February 21, 2019
Hal Ashby’s Shampoo and the Blissful Ignorance of Sexual Politics: Review
Jaime Rebanal
January 31, 2019
Mary Poppins Returns but Brought Nothing New: A Review
Jaime Rebanal
January 15, 2019
The Ballad of Buster Scruggs, the Coen Brothers’ Western Anthology Hits and Misses, but Mostly Hits: Review
Jaime Rebanal
January 3, 2019
Olivier Assayas’s Non-Fiction is a Funny but Empty Comedy: TIFF Review
Jaime Rebanal
December 17, 2018
Adam McKay’s Vice, or How My Hatred For Dick Cheney Only Grows Stronger: A Review
Jaime Rebanal
December 14, 2018
The Sisters Brothers Review: Fun Western That Doesn’t Quite Boast the Most of Its Talent
Jaime Rebanal
December 7, 2018
Yorgos Lanthimos’s The Favourite is His Funniest, Most Beautiful, and Most Tragic Effort Yet: Review
Jaime Rebanal
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