Deadpool 2 is What You’d Expect It To Be: A Review

✯✯½

The first Deadpool film was fun when I saw it in theaters but upon further thought I’d only come to dislike it because the most it really presented itself to be was merely a typical superhero origin story posing as different through its meta humour only giving it a feeling of smugness that only became irritating as it went on. Having this mixed together with David Leitch, who had come fresh off John Wick and Atomic Blonde made me feel unsure because I also disliked the latter film so the idea of Leitch directing this only pushed me away from Deadpool 2. To say the least, my expectations already had given myself an idea of the audiences that I knew a Deadpool movie would have found itself appealing to but to my own surprise it didn’t get on my nerves nearly as much as the first film did and felt more like a nice step up. Despite qualms that echo what bothered me about the first Deadpool, it felt nice to see that not much of the cynicism that struck me from said film had lingered terribly in this one.

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Atomic Blonde – Review

✯✯½

I’m still not sure how exactly did something like Atomic Blonde, carrying so much unexpected promise from the idea of one of the original directors of John Wick going solo to helm this, with Charlize Theron leading the way, with a soundtrack that goes from The Clash, New Order, Depeche Mode, and David Bowie – would end up becoming as disappointing as this. After Chad Stahelski has found himself achieving success from directing John Wick: Chapter 2 solo, I’m not sure what is left of David Leitch’s future after this, because the lack of Stahelski by his side shows that there’s still something missing in what could have made itself a female equivalent to John Wick. And given as it was exactly what I was hoping for, I was disappointed that it wasn’t a female equivalent in such a sense, more just a hollow imitator.

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John Wick – Review

✯✯✯✯

It’s nice to see an action film that acknowledges its own ridiculousness and uses said aspect to its own advantage come from Hollywood, given as it is a trait that made John Woo’s Hong Kong gun fu films so distinctive. In that sense it may be a perfect film but to blow off a good hour and forty minutes, one can go ahead and look no further than the fun that comes along the ride with Chad Stahelski and David Leitch’s John Wick, with Keanu Reeves at some of the most energetic he’s been with an action movie since the 1990’s in Speed and The Matrix. This sort of joy comes around like a video game inviting oneself to play along, and its awareness on that count makes for something undeniably fun.

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