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David Lynch’s Wild at Heart received the Palme d’Or from the Cannes Film Festival in 1990, yet it still seems to have remained heavily underrated in his filmography. Among many things that one could ever find themselves loving about Wild at Heart, it’s also like looking at a new side of the David Lynch that one would be familiar with and even if the sudden shift in tone may not work for the most dedicated of his fans, it still results in what I see to be one of his most beautiful films by far. If there’s any other way to describe Wild at Heart, it would only be fitting to describe it as the happiest film that David Lynch might ever leave us behind with, but it still perfectly blends together all the distinctive elements of surrealism in order to create one of the most romantic movies that could ever have been made too.

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