• 

  September 4, 2025

  TIFF 2025 — ‘Sentimental Value’ Review: It’s What Art is For

  Jaime Rebanal

• 

  July 28, 2025

  ‘The Most Perfect Perfect Person’ Short Film Review: A Disorienting Demand to Constantly Perform

  Jess Klimowski

• 

  July 25, 2025

  ‘F1’ Review: Not Quite for Formula 1 Fans, But It Nails the Races

  Jaime Rebanal

• 

  July 13, 2025

  ‘Sorry, Baby’ Review: An Imperfect, But Reassured Directorial Debut

  bodesulaiman

• 

  July 9, 2025

  ‘Universal Language’ Review: Matthew Rankin’s Beautifully Bizarre Dreamscape

  Jack Cox

• 

  July 6, 2025

  ‘The Phoenician Scheme’ Review: Family Business is Just Another Caper

  Jaime Rebanal

• 

  June 25, 2025

  ‘Black Bag’ Review: Espionage Is Romantic

  austinshinn

• 

  June 14, 2025

  ‘Materialists’ Review: Living in Celine Song’s Material World

  Jaime Rebanal

• 

  May 9, 2025

  Home Media Review: Anora 4K UHD (Criterion)

  Jaime Rebanal

• 

  May 7, 2025

  ‘The Shrouds’ Review: Grief Does Strange Things to People

  Jaime Rebanal