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December 2, 2023
‘May December’ Review: An Unflinching Look at the Aftereffects of Grooming
Jaime Rebanal
November 15, 2023
‘Evil Does Not Exist’ TIFF Review: A Peaceful, Smaller Fare for Hamaguchi
Jaime Rebanal
November 14, 2023
‘The Boy and the Heron’ TIFF Review: Late-Period Miyazaki Reminiscing About His Youth
Jaime Rebanal
November 2, 2023
‘The Killer’ Review: As Cold as a Smiths Song
Jaime Rebanal
October 29, 2023
‘Killers of the Flower Moon’ Review: A Tragic Reckoning with America’s Foundations
Jaime Rebanal
October 12, 2023
‘The Royal Hotel’ TIFF Review: Workplace Gender Disparities at a Boiling Point
Jaime Rebanal
September 28, 2023
‘Flora and Son’ TIFF Review: Vulgar and Warm-Hearted, Like Its Songs
Jaime Rebanal
September 24, 2023
‘The Zone of Interest’ TIFF Review: Tragedy Unseen, Horror Restrained
Jaime Rebanal
September 23, 2023
‘The Holdovers’ TIFF Review: Listening to the Wind of a Cold-Hearted Scrooge
Jaime Rebanal
September 22, 2023
‘American Fiction’ TIFF Review: Interrogative Satire on Diversity Standards Takes Audiences to Task
Jaime Rebanal
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