‘CODA’ Review: A Conceited Crowdpleaser Suppressing Its Deaf Voices

Author’s note: I am not deaf nor hard of hearing. That said, I also cannot help but find it a bit disheartening that many deaf critics are not also put front and center as this film continually makes waves during its awards season run right now unless their views of the film are uniformly positive.

To talk about CODA is to also cover one of the most important reasons why this movie has made waves: it features a primarily deaf cast playing deaf characters. It’s easy to see how this aspect has acquired the film a very favourable tide, but as much as this film has also grown on to become an audience favourite ever since it premiered at the Sundance Film Festival, I cannot find myself on board with that same wavelength. Which is disappointing to say, especially as this was a film that I had wanted to like on the count of how important it is to see the representation for deaf or hard of hearing people, yet maybe it’s the means of wanting to become an audience favourite that ultimately sets this film back.

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