‘The Laundromat’ TIFF Review: Soderbergh’s Latest True Story Comedy is a Baffling Joke

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There came a point where Steven Soderbergh had announced an intention to retire from filmmaking yet it seemed all too clear that he couldn’t leave the medium. It was long-thought that his last theatrical feature film was going to be Side Effects, but he came back to the big screen with Logan Lucky four years later – which he soon followed with films that were shot entirely with the use of iPhones, Unsane and High Flying Bird. Knowing the sort of filmmaker that Soderbergh has established himself as over his prolific career, it’s only fitting that he made another film that takes down an entire system but even the results of what this could sound like turn out so much stranger than expected. As for whether or not the film is good, I’m still having trouble finding out the answer to that myself.

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General Thoughts: The 90th Academy Awards

One knows already how predictable the Academy Awards can become after the route of the Golden Globes and the SAG Awards among many more, but in the 90 years that we have seen them moving onward, what they had managed to turn forth was not only one of the strongest lineups in a while but also one of the most pleasantly surprising, knowing where their own habits lie. If there was anything else to be said about what the Academy Awards have in store for us this year, then it only makes this year’s ceremony – unlike the past few at least, worth looking forward to.

Bold indicates my vote for said category.
Underline indicates who I think will win.

To read more about the picks this year in the major categories, click “read more.” Continue reading →

Darkest Hour – Review

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I remember when I watched Atonement in a history class, and it was a rather awful experience. Beyond the often noted tracking shot taking place on the battle of Dunkirk, I also found the whole film to be indulgent and frustrating – and the romance to be contrived. I recalled that experience because watching Darkest Hour, the first thing that I was thinking about was that this movie was tailor made for that exact same history class because the teacher did not care in the slightest about his own students. Darkest Hour just felt like that movie for history class that you ended up sleeping through and it was the reason you ended up failing your assignment, because you were supposed to write an essay about what you were watching and yet you couldn’t help but doze off because you felt nothing.

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The Hitman’s Bodyguard – Review

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I can’t say I expected much out of The Hitman’s Bodyguard because I knew not so much about it other than the pairing of Ryan Reynolds and Samuel L. Jackson, a pair of actors that I’ve always enjoyed depending on the sort of role that they’re playing. To see the two of them being themselves and put together only would have made for something entertaining but the notion that Patrick Hughes was going behind the camera had me skeptical after having been left a bitter taste from The Expendables 3. I suppose having all of that in mind would have only kept me waiting for what to expect out of The Hitman’s Bodyguard overall and it was exactly what I had received. A movie that spends nearly two hours with the two of them getting within shenanigans and not much beyond that. I had only supposed the pairing of the two would only provide such as a means of killing time for said length.

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Dawn of the Planet of the Apes – Review

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Right after Rise of the Planet of the Apes one already knew that the story would continue, and that’s where Dawn of the Planet of the Apes has come by. And if Rise of the Planet of the Apes only had come by in the same manner that any superhero origin story would have played out by setting up the tone for films yet to come, Dawn of the Planet of the Apes already has found itself more room to create a more distinctive identity. But being as I’ve never particularly been the hugest fan of the original film franchise, it’s nice to see that these new films are able to form an identity of their own for it takes me by surprise how much I enjoy them. These aren’t just mindless, disposable blockbusters that only find themselves living within the moment, these films leave behind an impact that calls out for far more – among many reasons I’m glad these new Planet of the Apes movies are around.

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