Solo: A Star Wars Story Adds Nothing New to a Story We Already Know – A Review

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Usually there’s always some form of excitement coming right before stepping into a Star Wars film but in the case of Solo: A Star Wars Story I could not ever bring myself to be even find myself even able to get enthusiastic in the slightest. As a matter of fact, my potential enthusiasm had already died off given the film’s troubled production history which involved numerous reshoots after the firing of the film’s initial directors Phil Lord and Chris Miller, only to have been replaced by Ron Howard – a director who I’ve never exactly been the fondest of for the most part. As I walked into Solo: A Star Wars Story, I was hoping that all of my skepticisms would have faded away from watching the final product given as it was only properly marketed just a few months before its release – only to have found that every reason I had for being skeptical of how this would turn out would have been reaffirmed. Even Rogue One had given me some hope as much as I was never on board with the idea of a Star Wars anthology, but I can’t say that I felt anything from Solo.

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Star Wars: The Last Jedi – Review

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Rian Johnson’s latest film, a Star Wars film for the matter – isn’t the sort that one would expect him to pull off, but even for those who have stuck so closely with the Star Wars franchise, they didn’t get the same story that they would have wanted. If The Force Awakens only was the welcoming return for the franchise to the big screen after George Lucas’s prequel trilogy has come to an end, through the reintroduction of nostalgia – then what Rian Johnson has set his audience in store for is more possibility, all from the fact that he of all people had went behind what we would want to recognize on the surface as a Star Wars film. But nevertheless if this film were proof of anything, it would be that Star Wars finds its way of speaking to many generations over the years.

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Rogue One: A Star Wars Story – Review

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Gareth Edwards seems to have come a long way from his debut, the minimalist Monsters soon going on to directing a new American reboot of Godzilla, which had its moments but ultimately proved itself a move too risky for a big name franchise, for what was provided from a director only known for a minimalist science fiction film would present something expository in the end. Now, he goes behind Rogue One, the first ever spin-off for the Star Wars franchise and the best one could ever hope for is something new to learn about how the prequels and the original trilogy have come to link together, but afterwards I was left pondering what significance did a new story even have on the rest of the films because amidst the enjoyable moments we have to trudge through exposition.

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