Eli Roth's first foray into making films for children actually shows a sign of promise.
David Gordon Green's new Halloween sequel revitalizes the franchise for a modern audience.
In the forty years since the release of Carpenter's slasher classic, it still stands atop all its many imitators.
This film is a breathless mess. It's portrayal of autism, however, isn't outwardly terrible; just part of a long-standing, damaging pattern of other portrayals of autism in film/TV.
Sam Levinson tries so hard to appear progressive, or not. And fails both ways.
Ari Aster's directorial debut is something you should keep your eyes out for.
Steven Spielberg's landmark film still remains a defining aspect of American culture.