2018: Another Year of Cinema Come and Gone

This year was a real game changer for a person like myself. To kick things off, it was the first year in which I was able to attend TIFF as a press member rather than as any other audience member. It was a defining moment for myself, though I don’t want to brag a little too much about what happened there. It was just a good year for cinema in general. That’s all I can really say, and I want to bring more attention to the many films that I absolutely loved this year – and so many of them came around this year and so forth. We’re already nearing the end of a decade, and through the good and the bad, the cinema has always been able to provide nothing but the greatest pleasures through and through. Although as we look through the films that have come to define 2018 as a whole, there were many surprises that came along the way just as there were disappointments – all of which came in between the very best and the worst in cinema through the year. So without further ado, let us begin. Continue reading →


BlacKkKlansman is A Frightening Tale of How Hatred is Bred Into Our Society: A Review


For as inconsistent as his filmography has ever been, Spike Lee has never been anything less than one of the most interesting American filmmakers working today. But even if he has struggled to find the same success today as he did during his prime with Do the Right Thing and Malcolm X, he’s never left – he’s always remained so angry and it’s a defining aspect of his filmmaking. And for all the misses that he’s had recently, I’m happy to say that BlacKkKlansman is indeed Spike Lee’s best film to come out in quite some time. It’s a film that takes on the form of a past identity only to remind you that things haven’t changed as much as we would like to think, and for all we know Lee had been shouting this in the years since Do the Right Thing had come out. And of course Spike Lee isn’t showing everything to be nearly as comfortable as we would like to think it could be thanks to the way we would like to think it is, but it’s only one among many reasons his films hit every bit as hard as they do.

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