Claire Denis's first English language feature remains every bit as provocative as the French auteur at her very best.
Olivier Assayas being Assayas as always, maybe to a fault.
Does far too little to provide excitement nor keep oneself engaged. (✯✯✯)
Favours uninspired action over the philosophy that defined the original. (✯✯)
Inventive one degree, conventional the other. (✯✯✯✯)