Jaime’s Film Diary: March 15, 2020

As expected, I’ve been keeping my Letterboxd up to date – so here’s yet another update for here in regards to what I have been watching as of late.

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Eternal Sunshine of the Spotless Mind – Review


A quick thought off the top of my head that came to me while I watched Eternal Sunshine of the Spotless Mind that ultimately hit me much harder now, given how I usually live out as a pessimistic soul always living in fear of the worst. In person, I’m an incredibly shy introvert who always resorts to the comfort of my own self and thus I have always found communication with those outside of my circle so difficult, something contradictory to how I am online. Recently, I confessed to a friend whom I talked with very often on social media that I had a crush on her. And there’s an inner awkwardness that just gets to me again because I was unsure how she felt with this knowledge coming to her even with her responding that she was flattered, and the likeliness of us meeting up in real life. And already, I’ve drawn myself away from the film itself, but I keep entering a certain mood swing after what Eternal Sunshine of the Spotless Mind is leaving me to think of. Continue reading →


Triple 9 – Review


There’s a joy to watching heist films that felt so stunningly absent while Triple 9 was going on. Remember how expertly crafted the tension can be at least when done so perfectly under the hands of Michael Mann, Jean-Pierre Melville, or Jules Dassin when they were directing Heat, Le Cercle Rouge, or Rififi? Try to imagine any of those three films which I’ve mentioned without the suspense that kept everyone at the edge of their seat, and within no time, you’ll have whatever it was that Triple 9 was offering. Admittedly, you have two fantastic heist sequences setting the bar for the film, but my only wish was that John Hillcoat, whose own body of work I haven’t particularly been the most fond of, had chosen to handle them in a manner it would really stick within my head. Continue reading →