Colette Review: A Biopic About Sexual Freedom With One of Keira Knightley’s Best Performances


Keira Knightley is a star whose presence I have often enjoyed onscreen more often than the films she’s in themselves. Perhaps it’s also come forth from my general lack of interest in period pieces, but Colette never stayed within the realms of what I would have expected it to be. On paper, it sounds like it could easily have been any other film that Keira Knightley would have attached her name to, especially given the setting and the subject matter having been based on a real person, but what Wash Westmoreland presents with Colette also carries a more seductive quality that I must also admit I didn’t expect to see right away. It’s seductive in the sense that Keira Knightley’s onscreen presence has always been, especially as she takes on new appearances under the elaborate costume design. Although if I were also to talk about the sort of turn that a film like Colette would have been from the films of hers that I’ve already familiarized myself with for so long, then it would also be worth noting that sort of person whose story she brings to life here.

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Love Actually – Review

If the title alone was surprisingly not the most condescending thing about Love Actually, then I would have been shocked based on that alone because the course of events that take place in this supposedly charming romantic comedy all live under an illusion. Richard Curtis’s Love Actually managed to earn a reputation as a delightful Christmas treat in some circles and yet, the opening already suggests the general idea that it wants to get across and yet its picture of such idea is where the film falls on its knees. Love is all around, that is said idea, but Love Actually only inspires a hate-filled rage out of me.

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