‘The Power of the Dog’ Review: Beautiful and Rugged on the Outside, Layered and Complex on the Inside

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For her third feature film, The Piano, Jane Campion became the first female filmmaker to win the Palme d’Or at the Cannes Film Festival, for very good reason. With The Power of the Dog being her first feature film in over a decade, it is more than just a triumphant return to the screen for her. Throughout her career, Campion has been known for making films that delve into the psychology that fuels desire, spanning many periods of time – but with The Power of the Dog comes one of her most beautiful and highly sensual efforts to date. It’s a statement that I think can only ever be put lightly, but in The Power of the Dog, you’re seeing the more externalized emotions coming forth in what would be one of her most beautiful films to date.

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Dawn of the Planet of the Apes – Review

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Right after Rise of the Planet of the Apes one already knew that the story would continue, and that’s where Dawn of the Planet of the Apes has come by. And if Rise of the Planet of the Apes only had come by in the same manner that any superhero origin story would have played out by setting up the tone for films yet to come, Dawn of the Planet of the Apes already has found itself more room to create a more distinctive identity. But being as I’ve never particularly been the hugest fan of the original film franchise, it’s nice to see that these new films are able to form an identity of their own for it takes me by surprise how much I enjoy them. These aren’t just mindless, disposable blockbusters that only find themselves living within the moment, these films leave behind an impact that calls out for far more – among many reasons I’m glad these new Planet of the Apes movies are around.

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