‘Little Women’ Review: Greta Gerwig’s Adaptation of a Classic Tale Reaffirms Its Impact

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Greta Gerwig’s follow-up to Lady Bird is not the same sort of coming-of-age film that she brought to the screen years two prior, but another adaptation of Louisa May Alcott’s classic story. Although it may be a story that has been adapted numerous times to the screens, whether they be for television or for the cinema, it carries a timeless quality to it that only makes it feel fresh no matter how many times it may be told. It’s a film that feels almost like you’re being wrapped comfortably within a blanket, but the more it continues flashing back and forth it also shows that there’s always a newer way to bring timeless stories of the sort to modern audiences, and for what’s only Gerwig’s second feature as a writer-director, it feels as if she’s on her way to becoming a talent for a generation.

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Saint Laurent – Review

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Yves Saint Laurent is a fascinating figure to study when looking into fashion history, yet the thought of a biopic about him running for two and a half hours always seemed like an intimidating one to myself. On one end it could have worked effectively as a psychological case study of what happens to his mind as a result of the newfound influence he had acquired, on another end it could have been an overlong display of pretty colour while offering so little refreshing on Yves Saint Laurent himself. Unfortunately, Bertrand Bonello’s biopic finds itself in the latter, a film whose potential is lost inside of its own bloated length in spire of pretty visuals which never come off as a surprise given its subject. Nevertheless this experience proves itself rewarding to some extent.

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