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If the title alone was surprisingly not the most condescending thing about Love Actually, then I would have been shocked based on that alone because the course of events that take place in this supposedly charming romantic comedy all live under an illusion. Richard Curtis’s Love Actually managed to earn a reputation as a delightful Christmas treat in some circles and yet, the opening already suggests the general idea that it wants to get across and yet its picture of such idea is where the film falls on its knees. Love is all around, that is said idea, but Love Actually only inspires a hate-filled rage out of me.

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