In order to continue keeping this site as active as possible while I have not been able to write as many full-length film reviews as I had planned initially, I figured that another solution would have come by in placing my Letterboxd entries starting from the week before here as a placeholder for eventual full-length reviews that are set to come by, if I were able to find the time to write another one. But as is, these are quick thoughts that I figure would be nice to keep afloat so that the site will remain active on a regular basis.
First-time viewings are noted as such. You can follow me on Letterboxd right here.
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The most basic comic book movies prominent today come from the likes of Marvel and DC, but Edgar Wright bests all of them with Scott Pilgrim vs. the World. But for as much as I love Edgar Wright, I’ve always underrated this film since the first day considering I merely came in as a prominent Nintendo gamer and of course in theaters I caught onto the numerous video game references ranging from The Legend of Zelda, Super Mario Bros., and Final Fantasy, but even then, it only came perfectly clear to me I still didn’t “get” what the film was saying. But over the years and a journey through Edgar Wright’s body of work, everything had come clear to me about why Scott Pilgrim vs. the World works as perfectly well as it does and it may also be Edgar Wright’s finest film as a director as of yet. For as wonderful as the Cornetto trilogy may be, this one tops the rest in an instant.
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If you saw an ad for Swiss Army Man, you would get a clear idea of how weird it all will play out to be but what you made of the ads will decide in the end what you think of the final product. I was never particularly expecting much because I found the trailers to be ridiculous (and not in the good manner at that) and who knew, my reaction to the actual film was no different. There’s a level to which I can appreciate weirdness and ridiculousness on film but the delivery presented by Swiss Army Man was so juvenile in the worst sense – it’s a case in which weirdness just fills up the entire hour and a half long running time but in the very end, it achieves nothing for it relishes inside its own quirkiness for no other reason than just to be quirky. Continue reading →
Is this only a Cloverfield film in name? I’d only assume so because I saw no resemblance to the first Cloverfield up until the ending came about, but before all of that happened, what we had was something that could have been rather great. Initially I felt skeptical as I had disliked Cloverfield but coming out of 10 Cloverfield Lane turned out to be quite a nice surprise for myself. This was a great film, one that I loved while it lasted, up until one critical moment felt so much like a nosedive in my eyes. Continue reading →