In Conversation with Amanda Kramer: A Talk About Female Perspectives on Cinema

CONTENT WARNING: The following conversation includes talks of sexual assault and toxic masculinity, which may be potentially upsetting for certain readers and listeners.

Following TIFF Next Wave, I had the chance to talk with Ladyworld writer-director Amanda Kramer about her creative process and her many influences. What soon followed was a long conversation about the state of the film industry and how important it is for female voices to climb higher up within in a male-dominant field. You can listen to the conversation below and also read it down below.

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Charlie Wilson’s War – Review


There’s a beauty to hearing the words scripted by Aaron Sorkin, knowing that they always move at a pace that keeps every scene moving at rapid fire, and paired together with the direction of Mike Nichols, the results are truly nothing more than satisfying. For his final film, Mike Nichols leaves on a rather pleasing note and while it may not reach the heights that he has set behind in his past with classics like The Graduate or Who’s Afraid of Virginia Woolf?, it goes to show that throughout his career, he’s maintained a consistent level of quality from film to film and would never let anything have him stoop down. Continue reading →

Working Girl – Review


You hear his name very often because of the fact he’s directed The Graduate and Who’s Afraid of Virginia Woolf? but I feel that in spite of the popularity which those two films have, Mike Nichols isn’t nearly given as much credit as he deserves as a film director. While not my favourite of his films (sticking with the popular choice in this scenario, that one being The Graduate), Working Girl always struck my mind as one of his most underrated directorial efforts to date. What always irritated me was how some people pass it off as any old cheesy romantic comedy but there’s much more to it than just being any old sappy comedy. Continue reading →

The Graduate – Review


I’m probably going to get into my more self-indulgent mode when I’m talking about something like this but it’s necessary when I want to talk about a film like The Graduate. I once wrote in a personal diary entry that at certain points of my life where I just have absolutely nothing, I’m simply Benjamin Braddock. It feels especially reasonable as I feel I’m only living in a world where all I see are nothing but different age groups failing to understand what it is defining what satisfies another. This is a film that understands the loneliness in one’s life and how the outside world just comes in and interferes. Continue reading →