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Antoine Fuqua remakes another remake with The Magnificent Seven, his latest offering thus far. Being a remake of a remake, there’s always room to turn something into one’s own vision and that’s part of what I was hoping for in this new take on the story inspired from Akira Kurosawa’s Seven Samurai, but something about it also feels empty. What happened to the excitement of watching a group of seven fight for good? Sure, there’s fun to be had within certain moments of the film but perhaps they only work because of how the film presents itself out to be as a result of those involved rather than offering much to stand on its own. Quite surprisingly, that is actually not what bothered me most about this re-imagining of the classic tale. Continue reading →