In which Jaime Rebanal recounts the best films of 2019.
Alma Har'el makes her directorial debut by bringing forth a portrait of Shia LaBeouf's youth unlike any other.
Accomplishes more in minimalist form than most can with far more. (✯✯✯✯)
Too inconsistent as both a socio-political commentary and too ugly as a comedy. (✯½)