Plays out more along the lines of a really bad Black Mirror episode than an actual feature film. But given the odd marketing methods that have allowed the Cloverfield films to stand out amidst many, it also makes a case for what’s to be expected of The Cloverfield Paradox. While it’s respectable for someone like J. J. Abrams to allow a person of colour to helm a blockbuster whose diversity will undoubtedly shine, the film itself isn’t quite the game changer we would have wanted it to be since it happens to be the exact opposite. It’s the opposite because the fact it was released on Netflix less than 24 hours after it was announced also gives away the feeling that perhaps the film was never good enough to get a theatrical release and was merely dumped onto the streaming service like a direct-to-video film. It wouldn’t surprise me if that was the case for The Cloverfield Paradox because it certainly feels as if it was made as such.