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At a certain point in time, we simply must accept that most dystopian fiction isn’t really so far out in the future as much as it may very well be the present. This can be very well said about The Creator, Gareth Edwards’s highly ambitious science fiction epic built around mankind’s relationship with artificial intelligence. Whether recent events have made The Creator and its aspirations feel like they’ve dated themselves already, perhaps what might catch most about it is that in an era where many major studio releases are based on a beloved property with the intention of starting a franchise. And I think on that ground, I can’t help but at least respect what Edwards is aiming for.
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