‘Waves’ TIFF Review: Trey Edward Shults’s Third Film is a Beautifully Chaotic Family Melodrama


The third feature film of Trey Edward Shults, Waves is a family drama in the veins of his previous films yet one that also punches down at your emotions without any sort of compromise whatsoever. If anything else best captures what makes the experience of watching Waves every bit as powerful as it is, the title alone would already represent the sort of dynamics between family and friends that you’re seeing onscreen as they take on differing forms from start to finish. There’s no filmmaker working today with the same sort of eye for creating family dramas like Trey Edward Shults, and seeing how he adapts his distinctive style to different forms of storytelling will forever be fascinating to me.

Continue reading →

The House With a Clock in Its Walls Ticks Every Now and Then, But Not All the Way: Review


Eli Roth directing a film for children was always set to become a fascinating choice, but even as someone who has never exactly been a fan of his overtly gory horror films I can’t help but find The House with a Clock in its Walls to already be an experiment that would already have been worth seeing out of pure interest. But perhaps this may be the turn that his career would have needed in order to truly make his career drive my interest once again – already having known him for directing nothing but overtly gory horror films. The very worst tendencies of Roth’s torture porn-esque horror films are childish in their own right, yet perhaps directing a film intended for children allows him to embrace that aspect about his work to a much more inviting degree at that, and oddly enough, it seems like the sort of growth that his films so desperately need.

Continue reading →