Rising from the Shallow, A Star is Born is a Triumph: TIFF Review


A Star is Born is a story that has already been remade twice prior to this, with the first remake starring Judy Garland being seen as the definitive version of the story – and it’s also one that has stayed with us in our memories for many years since. But because it’s also a story that became representative of what it feels like to go ahead and put your name out in the entertainment industry for oneself to take note of, we’ve already familiarized ourselves with it so much and for good reason at that. So with a newer take on the story being set once again around the world of music after the Barbra Streisand version, what would first-time director Bradley Cooper bring out with him and Lady Gaga playing the leads? To say the very least, the results also turned out to be so much more than what one could hope for – even myself at that. As far as the remakes of A Star is Born have gone, this truly is the best take since the Judy Garland version.

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A Star is Born – Review


Essentially the catalyst for success stories being made within Hollywood about an industry, but to talk about George Cukor’s A Star is Born in this manner only understates what more it is on the inside. And coming to think of what was already expected from the Academy at the time, one of their biggest crimes was giving the Best Actress award to Grace Kelly for The Country Girl. For not only is Judy Garland’s performance one to define her own career as her very best, it also signifies one of the very highest points that Hollywood’s classic era has ever managed to reach. I’m not even sure how it was possible to make something like this back in the day come out as perfectly, even at the hands of excessive editing from studio executives – there’s a greater tragedy being reflected in A Star is Born that only solidifies it as a musical to define both the era and cinema as a whole.

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