Blade Runner 2049 – Review

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The mere idea of a sequel to Ridley Scott’s Blade Runner was always going to be troubling to me because the original is one of my favourite science fiction films, let alone one of my all-time favourite films. Seeing what Denis Villeneuve had done for the science fiction genre with his recent Arrival had only left me raising my hopes, and to say they were met is an understatement when talking about Blade Runner 2049. For not only is Blade Runner 2049 a sequel that expands beautifully upon the creativity that was shown in its predecessor but one built with the same thought and care which made the original as remarkable as it is. It isn’t a sequel that merely retreads a path that people are familiar with, but one that expands upon the ideas its predecessor had established forming not only a worthy sequel after a long period of time, yet also one destined to become a landmark of its generation in the same way the original film is.

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Wonder Woman – Review

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It’s already about time, we finally have received a live action Wonder Woman film. Among many things that surprise me, one that comes out the most is the fact that it had taken this long for the demigoddess to receive her own film and we’ve finally come this far, but at the same time comes the first female-directed superhero film with a female lead, with Patty Jenkins directing for the first time since 2003’s Monster. After the disasters of Catwoman and Elektra, what’s there to be said about Wonder Woman? The most pleasing thing to report is the fact that not only is it just a great superhero movie as a whole and one of the better ones to have come in recent memory, but just a great film all around. After all of these years without having her own live action film, not only does Wonder Woman finally manage to have the spotlight for herself but she’s also set an example for the very highest points of superhero cinema from recent memory.

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The Girl with the Dragon Tattoo (2011) – Review

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Stylistically, a more appealing take on the same story compared to Niels Arden Oplev’s original interpretation and also a more compelling one at that. It’s worth addressing that I have a rather complicated history with Stieg Larsson’s original trilogy of books, for even with their convoluted storylines I still found The Girl with the Dragon Tattoo an ever-so-fascinating story, something that the original trilogy of films had failed to capture (I greatly dislike The Girl Who Kicked the Hornet’s Nest with my original distaste of the book coming into play). The idea that David Fincher would go on to direct an adaptation of the same story was something that had me intrigued and what was captured in Fincher’s own take on The Girl with the Dragon Tattoo proved itself to become what I wanted out of the same story compared to the monotony of the original trilogy.

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