The Sisters Brothers Review: Fun Western That Doesn’t Quite Boast the Most of Its Talent


I’ve always found it difficult to get into the films of Jacques Audiard which is one among many reasons I was unsure of what to expect from The Sisters Brothers. But this being so different from his past films already had me wondering if this could be an instance where he would click with me, because his films have always remained distinctive for being so unflinching – if also quite emotionally hollow. So how exactly was this sort of style supposed to work not only for a western film in the English language, but also a dark comedy? I think it’d only be fair to say that maybe it opened my eyes to see Audiard’s sensibilities working better as Hollywood productions than they do outside, because The Sisters Brothers only ever made itself out to be an entertaining ride.

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Blade Runner – Review


It still amazes me that after thirty years of being butchered from studio interference and having been ignored during its original theatrical run, Ridley Scott’s Blade Runner still feels refreshing as if it were something that had only recently came out. Like the best science fiction films it isn’t one whose wonder lies within the excitement created by its distinctive visual style but how it presents itself – not as a showcase for hypnotic set pieces but as a meditation on life, pushing towards what we are afraid to ask. Even today the genre subversions still feel present and on rewatches I only find myself appreciating it all the more, after having already been left fascinated with a first watch. But it wasn’t until more revisits mere fascination grew into adoration, and soon the resonant effect of Blade Runner only made itself clear.

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