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science fiction

  • ‘M3GAN 2.0’ Review: This Genre Shift Doesn’t Really Work
    July 8, 2025

    ‘M3GAN 2.0’ Review: This Genre Shift Doesn’t Really Work

    Nathan Sherwood
  • ‘Elio’ Review: Pixar’s Latest is Perfectly Fine, Nothing More, Nothing Less
    June 27, 2025

    ‘Elio’ Review: Pixar’s Latest is Perfectly Fine, Nothing More, Nothing Less

    bodesulaiman
  • ’28 Years Later’ Review: A Rejection of Nostalgia
    June 23, 2025

    ’28 Years Later’ Review: A Rejection of Nostalgia

    Connor Walsh
  • ‘Thunderbolts*’ Review: The New Avengers Might Be in Good Shape
    June 16, 2025

    ‘Thunderbolts*’ Review: The New Avengers Might Be in Good Shape

    austinshinn
  • ‘Predator: Killer of Killers’ Review: The Predator Takes on the World of Animation
    June 14, 2025

    ‘Predator: Killer of Killers’ Review: The Predator Takes on the World of Animation

    Nathan Sherwood
  • ‘The Shrouds’ Review: Grief Does Strange Things to People
    May 7, 2025

    ‘The Shrouds’ Review: Grief Does Strange Things to People

    Jaime Rebanal
  • ‘The Electric State’ Review: Over $300 Million Was Wasted on This Garbage
    April 3, 2025

    ‘The Electric State’ Review: Over $300 Million Was Wasted on This Garbage

    Jaime Rebanal
  • ‘Mickey 17’ Review: Dying Ain’t Much of a Living
    March 15, 2025

    ‘Mickey 17’ Review: Dying Ain’t Much of a Living

    Jaime Rebanal
  • ‘Deadpool & Wolverine’ Review: A Smug Victory Lap for Disney’s Fox Acquisition
    November 27, 2024

    ‘Deadpool & Wolverine’ Review: A Smug Victory Lap for Disney’s Fox Acquisition

    austinshinn
  • ‘Megalopolis’ TIFF Review: As Confounding as It Is Compelling
    September 22, 2024

    ‘Megalopolis’ TIFF Review: As Confounding as It Is Compelling

    Jaime Rebanal
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