‘Lords of Chaos’ Review: A Black Metal Film for Posers


The world of Norwegian black metal is already twisted enough as is, not only for the image that the musicians have created for themselves but also because of the notoriety that many of the biggest figures involved have achieved for their lives outside their work. One such band that exemplifies the world of black metal is none other than Mayhem, whose members have went all around from noted arsonists, murderers, and even neo-Nazis – with one among these people being Varg Vikernes of Burzum (who reportedly had despised this film). But looking back at the formation of the band and their noted album De Mysteriis dom Sathanas, there’s already a fascinating story that can be told here given the crazy things that have happened beyond the band’s formation for the creative process will almost seem secondary to what more you would hear about how it remained one of the most influential black metal albums of all time. But Lords of Chaos is not the film that such a story deserved, and for the matter, it doesn’t really have all that much interesting to show even about how fascinating the formation of Mayhem was, you just have a bunch of bad dudes being bad dudes as they show you here.

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Baby Driver – Review


Of the more accessible filmmakers consistently working in the comedy genre, Edgar Wright is quite possibly the most exciting. But like Wes Anderson his own films establish their own quirks in such a manner it’s easy to embrace the universe in which they take place whether it be the Cornetto trilogy or Scott Pilgrim vs. the World. His latest film, Baby Driver, proves itself to be no different – riding in on Wright’s own love of pop culture but he always had an innovative use of music through every one of his films and right there is where the glory lies. Perhaps the most obvious thing that can be said is that the music is indeed very good, but moving away from the comedy genre with Baby Driver has only continued to prove why Edgar Wright was ever as exciting as he is, but in here there’s a greater comfort he found within himself that perhaps his own comedies haven’t fully embraced. But even if Baby Driver weren’t his best film, it has all the qualities to make it one of the most exciting wide releases of the decade.

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