Finding a Sense of Comfort and Acceptance in Spike Jonze’s Her – A Review

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I have so many emotions running through my head right now, because this was perhaps what I needed most after having finished an entire year of college. It just felt so perfect for the moment because as soon as I finished, I felt a rush right through my head that was not like anything else that I had felt. After having gotten the chance to connect with so many other like-minded individuals that aren’t so far away, this final day almost feels like a blow – all of that has been taken away from me right on the spot. It feels like I have moved back into becoming the sort of person that I was always fearing I would be through my high school years once again, just a lonely, reclusive, sheltered person who had found the greatest joys one could ever feel through watching the movies for they have been my gateway to the world. Watching Her as I was about to enter this very moment almost felt like a bad idea because of what I still feel that I am not prepared for within my future. But if there were anything else that I would have wanted to say, I don’t know if I can be thankful enough that whenever I watch this movie, I always find myself in a state of comfort – one that I don’t know if I ever want to end.

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Being John Malkovich – Review

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As human beings, we all carry some sort of fascination with celebrity culture and it’s natural to wonder what the sort of lifestyle must be like. If any film managed to sum up what it’s like to carry that sort of fascination to the point we end up living it, then Spike Jonze’s Being John Malkovich would be the first film I point to. The bizarre concept to which it carries is already one factor as to why it stands out on its very own, but even more impressive comes from how it was the feature film debut of director Spike Jonze, who had directed many music videos prior, and screenwriter Charlie Kaufman. But knowing how such films are outright impossible to repeat in this day and age, it’s among more reason I still find myself in awe of a film like Being John Malkovich, for it goes beyond its own quirks to become one of the very best films of its time, let alone one of the best debut efforts of all time.

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Adaptation – Review

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There’s a feeling that comes into my head when I’m trying to write something that I end up thinking it’s only going to come off as unbelievably self-indulgent, which I suppose might be the best way to go on with talking about a film like Spike Jonze’s AdaptationAdaptation, Charlie Kaufman’s most indulgent script, and yet by a mile it is also one of his most fascinating experiments to date. But maybe it’s because I always watch this and look back at what it is that I’m doing, and after having achieved so much success, I know I don’t want to disappoint. I know I don’t want to disappoint numerous people who have followed along me, so I come to the point I stint my own writing for long periods of time. But for a man like Charlie Kaufman, it’s already hard enough from what I can imagine to follow up a film like Being John Malkovich for as bizarre and as clever as its own concept is, and it’s that sense of honesty that allows me to admire Adaptation all the more.

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Where the Wild Things Are – Review

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When I was much younger, Maurice Sendak’s book Where the Wild Things Are was a story I held so dear to my heart and I always wanted my parents reading it to me before heading into bed. In 2009, the time finally came when I was seeing something that defined my childhood coming to the screen. It’s hard enough translating a beloved piece of what helped me growing up onto the big screen in this manner but somehow, what Spike Jonze managed to provide had triumphed and brought back so many fond memories for myself. For not only was it those memories that came back to me which struck me in awe at Where the Wild Things Are, but Spike Jonze’s incredible understanding of childhood that only strike for more imagination.

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