Sofia Coppola’s Marie Antoinette Lives in the Glamour to the Fullest


Sofia Coppola’s body of work has always remained intriguing even when she isn’t exactly the most consistent filmmaker. It’s hard enough to imagine how she can follow up a film as beautiful as Lost in Translation but there was always the certain fear that after having directed her best film she would turn out another effort that proves itself hugely underwhelming and with Marie Antoinette comes the film that consensus has agreed upon as their worst effort to date but I also think it also makes a great case as to why her work is so intriguing. Given what would be expected of a period piece, especially one about the ill-fated Queen of France, it seems only fitting that Sofia Coppola took this outline and directed a film that details her life the way that one would only be able to imagine it must have been from her very own eyes, rather than one that sticks to tradition.

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24 Hour Party People – Review


My music habits at the time might have become an influential factor in my decision to seek out watching 24 Hour Party People as quickly as I did. I was only getting myself into the music of Joy Division and quickly they became one of my favourite bands, and I’ve already familiarized myself with Sex Pistols – but my knowledge of the scene was fairly limited at best. I then stumbled across 24 Hour Party People hoping to gain further knowledge of what it was like during said era and I immediately thought to myself after finishing it that it was something I had to watch once again. It was perhaps a result of a mood coming by from the music I was listening to at the time, but if Steve Coogan’s Tony Wilson wasn’t one of the most charming roles I’ve seen him play, then I’d only imagine something all the more wonderful if I watch him more because I’ve already been a big fan of everything I’ve seen him do together with director Michael Winterbottom and with 24 Hour Party People, what they created is probably their best work yet.

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